12.30 interview with a journalist.
8pm out for dinner with friends.


After t
he panel I went for a live interview on BBC Radio Bristol with Graham Torrington.
After my interview, we took a short detour to take a look at the amazing Clifton suspension bridge before returning to CrimeFest to catch a panel with Chris Carter, Tim Weaver, Howard Linskey and NJ Cooper talking about the thrills of crime writing.
I spent Saturday at Waterstones Bristol Galleries where the staff were friendly and helpful, as always in Waterstones. I met lots of local readers who bought 65 copies of my books. Dead End sold really well, as expected, with its great cover.
t you can see a few happy faces (photo courtesy of the unflagging Ali Karim) Matt Hilton, Ali's beautiful daughter Sophia, and a little person who forgot to pack any heels at the Mulholland Reception. Then it was on to the Gala Dinner where we heard Christopher Brookmyre, Lindsey Davies, Deon Meyer and Peter James. At least I'd remembered to pack my best frock to announce the winners of the Mystery Woman short story competition for 2011.
side, it was an opportunity to meet a lot of interesting people, established successful writers and aspiring authors alike, and to hook up with familiar faces. Here are The Curzon Group, behind the scenes in the Green Room before our panel on Friday. From the left, Richard Parker, Zoe Sharp, me, Tom Cain and Matt Lynn. Zoe moderated our panel, which was just as well. She did a grand job keeping us all in check. The audience asked probing questions and we had some lively discussion about character vs plot, among other topics.
Also on the debut panel was Mike Hodges, who wrote and directed the original film of Get Carter. Mike has just written his first novel, Watching the Wheels Come Off. It was thrilling and surreal to find myself on a panel alongside such an iconic film maker.
Discussion included the pros and cons for an author of being signed for a series or for one stand alone book. I have to say, I'm really happy I was offered a three book deal - with a subsequent offer for a fourth in the series.
I also gave a talk on writing a series, and was pleased to have a decent audience. Once again, the questions were searching and challenging, and I discussed the development of Geraldine Steel and the balance between offering the reader something familiar, and the need to avoid becoming formulaic.
The icing on the cake was seeing - and signing! - sale copies of ROAD CLOSED for the first time. Publication wasn't due for a few weeks but WH Smith's Travel wanted to do a promotion in June so the printing was brought forward to meet their deadline. A box of books was delivered to the convention venue in Bristol, literally hot off the press. The books vanished somewhere in the hotel but my publisher was able to tell me exactly when and by whom the d
elivery had been
signed for and the Blackwells bookseller went out of his way to track the books down. If you read this, Blackwells in Bristol, thank you!
I also spent time with fellow authors I'd only 'met' online before, and caught up with Mystery Women.
The convention was a tour de force of organisation, with panels, talks and interviews running constantly and concurrently throughout the event.