Showing posts with label reviews. Show all posts
Showing posts with label reviews. Show all posts

Friday, 29 January 2016

Thoughts on writing

Recently I came across an author's response to an Amazon review and I have to admit to feeling saddened by the exchange. I have removed names as this is not a personal attack, but a general comment about the use or abuse of our language. 

Here is the review: 

"This isn't a bad story but, like so many books, it is spoiled by a poor understanding of the English language. He was sat should be he was sitting, he was stood should be he was standing. Towards the end this seems to have been corrected so why let it spoil the first three quarters?
Also, every time the word 'yet' appears it is preceded by 'in' which makes no sense.
Possessive nouns and pronouns have no apostrophes and the awful word 'gotten' is used.
Hyphens keep popping up for no apparent reason!
If you can ignore the mis-use of the English language, the book is worth a read though a little slow."

And the author's response: 

"Authors these days are told not to use too many words ending with 'ing'. Such grammatical language alters through the years, but this is something which is frowned upon by editors and publishers, and has been for at least the past five years, so it is abided by at all times. I'm also a little worried having read your reviews, that you are mentioning the same things in each of them. 'The author wrote sat and used the word gotten' is written in all of your reviews on Amazon. These words are acceptable in UK English."

Who is told "not to use too many words ending with 'ing'."? If a writer overuses the continuous tense in her verbs, or peppers her work with gerunds, clearly that is poor style. Any tedious form of repetition may spoil prose. But if a writer needs to be told this, perhaps she should spend a few years reading others who do know how to write, before rushing to self-publish her own work while she still lacks a rudimentary understanding of language? 

It is true that the rules of grammar are constantly changing, but do editors and publishers frown upon the overuse of "words ending with 'ing' " any more than any other poor use of language? I don't think so - and what does "it is abided by at all times" even mean? I certainly don't abide by these dubious ideas about what is "acceptable in UK English".

The author is entitled to criticise her reviewer for repeated complaints about constructions like "He was sat" but perhaps this is a case of choosing your battles carefully. 

"He was sat" is incorrect, and in my view is not "acceptable" from someone who claims to be a writer. 

At the risk of being brought to task for repeating myself, I do think that if you want to publish or, in this instance, self-publish, your work, you have a duty to at least try to write well. For a fellow author to employ such clumsy and inaccurate constructions as "he was sat" and "he was stood" is shoddy. But to then defend such prose as "acceptable in UK English" is shocking. Acceptable to whom? Not to me, nor to several irritated reviewers of her book.  

Several very poorly edited books have famously become blockbusters. We can all probably name at least two. So should we blame writers for throwing their work out and hoping for the best? Am I an idiot to devote so much of my life to agonising over my choice of words, and my sentence structures? Does it really matter? Am I just an old-fashioned pedant to care about the quality of my published prose?

What do you think? 


Links to all my books can be found on my website http://leighrussell.co.uk 





Wednesday, 19 December 2012

STOP DEAD

Thanks to Best Crime Books for a fantastic review of Stop Dead "all the things a mystery should be, intriguing, enthralling, tense and utterly absorbing"

Sunday, 5 August 2012

Is this sane?

Why would anyone (in his right mind) bother to devote so much time and energy to boosting his own ego by adulating himself under multiple false identities?
The time would surely be better spent working to improve the writing he publishes under his own name.
http://www.guardian.co.uk/commentisfree/2012/aug/05/nick-cohen-cheating-authors-journalists
The more I think about it, the stupider it seems. Work on your own writing, whatever your real name is, and get yourself some genuine admirers. If you can't, maybe it's time to stop writing?

Friday, 1 April 2011

The Goal Posts are Moving Again

The goal posts are moving again…

Once I would have grabbed at the chance of having a third novel published. With my first two titles still selling, am I becoming an established author, successful at last in my own small way? Dead End will soon be going to print, ready to hit the shelves next month. (What happened to the past six months? Publication date has been so far off for so long and now, suddenly, it’s almost here – How did that happen?)

When Cut Short was due for publication I remember being wildly excited. The whole episode felt like one huge party. It was such fun being a published author! To my surprise, the publication of Road Closed was, if anything, even more exciting. Now I was a real author with not one but two books to my name. (Is that the laughter of authors with multiple titles to their names?)

But with Dead End about to hit the shelves, everything feels different. It could be the after effects of pneumonia, but suddenly this author lark doesn’t seem like so much fun any more. Is it because third time around I know how much hard work lies ahead, with the publication of a new title? The promotion, book signings, talks, panels, interviews, and endless phone calls and emails… and the reviews! There have been 3 so far, all good, but that’s just the beginning…

I’m reminded of the Neil Sedaka song about missing the hungry years. The publication of Cut Short was such a thrill, but how can we measure success when the goal posts keep moving?

What has been your experience of publishing second and subsequent books? Did your excitement heighten or fade with each new title?

Sunday, 31 October 2010

Reviews

I feel it's time to explain my gripe with the review of Road Closed that has appeared on amazon.ca. To begin with, I can't help but wonder why this reviewer didn't post a review of Cut Short - which he admits he liked - but only felt moved to write a review of Road Closed because he enjoyed it less. Are there genuinely reviewers out there who feel they should only review books they don't enjoy ? How is that helpful - or is this just an individual venting his own feelings about life's inevitable disappointments? Well, here's my venting in return!
The second issue I have with all this is that I know I have many fans - including quite a lot in Canada who have contacted me via twitter and facebook. Canadian fans have even complained on facebook and twitter that they were unable to post positive reviews of Road Closed on amazon because they hadn't purchased from there. So the one poor review continues to stand there alone.
Road Closed has received glowing reviews from critics writing for The Times ('confirms her promise as a writer') The New York Journal of Books ('refreshingly compelling and original') even some reviews which prefer Road Closed to Cut Short ('an even better read than Cut Short' to quote The Secret Writer). I could go on, but you can see a host of good reviews for Road Closed on my publisher's website
http://www.noexit.co.uk/titles.php/itemcode/526
Of course not everyone is going to enjoy my books and a lot of people may well dismiss them for any number of justified reasons, and that's fair enough.
What I find unfair is that when I wanted to post a list of quotes from reviews in The Times, The New York Journal of Books, etc, on amazon.ca to point out that Road Closed has received some positive reviews, amazon.ca blocked it. As the author it seems I am not allowed to post reviews from journals like The Times - even though the reviews aren't mine. I can't even comment on the review that someone else has posted.
I don't expect everyone to like my books and I'm quite happy to accept some inevitable 2 star reviews among the 5 star ones, but what is happening on amazon.ca does seem to be a complete misrepresentation of how Road Closed has been received.
Is it coincidence that out of Cut Short and Road Closed sales on amazon.co.uk, amazon.com and amazon.ca the sales rating of Road Closed on amazon.ca has been consistently poor compared to all the others since that one negative review was posted?
So thanks a lot, amazon.ca, for not allowing me to post anyone else's reviews about my book. Maybe it's time you reviewed your policies.

Wednesday, 20 October 2010

Sunday, 13 June 2010

What Makes a Book Popular?

Left - Display in Waterstones Watford
I've been posting a lot about my recent activities. Life has been hectic with visits to stimulating writers groups and a host of searching interview questions both online and on various radio stations. I still have quite a few events to blog about. I haven't told you how much I enjoyed talking to Thames Valley Writers, or how I felt being interviewed live on Radio 91.8 FM - link below (another live radio interview coming up next Saturday), or being approached by Woman and Home Magazine (where we talked about blogging!), or spending time signing airside at Heathrow Terminal 5 (where I saw ROAD CLOSED displayed at No. 7 on the WH Smith's Travel Bestseller Charts), hearing that my books are displayed at No. 4 and No. 6 on the Bestseller Chart at Waterstones in Bedford, or the thrill of receiving an email from award winning author Sam Millar who's just read ROAD CLOSED "and really loved it" (Sam won the prestigious Aisling Award for Art and Culture, the Martin Healy Short Story Award, the Brian Moore Award for Short Stories and the Cork Literary Review Writer’s Competition. His best-selling memoir, ON THE BRINKS, has recently been acquired by Warner Brothers... and that's just a taster)

But I thought it was time to return to some serious discussion about writing. Even I can see that there's only so much personal news I can blog about without becoming... how shall I put this?... repetitive... (OK, boring...)

One of the questions I was recently asked (Hayes FM) was:
"CUT SHORT launched in the summer and sold so fast your publisher had to reprint after two months. What elements in the book do you think made it so popular?"

That's a tricky one. What is it that makes some books grab our attention while others leave us unengaged?
For those of you who missed the radio broadcast my answer at the time went something like this.
"My books are plot driven so readers read on to find out what happens. But it is character that interests me. People fascinate me. Perhaps the popularity of my books is due to a combination of exciting plots and convincing characters." I went on to say that of course many authors achieve that, so I can't account for my success with CUT SHORT reprinted 3 times in its first year and ROAD CLOSED already off the starting posts, with its first few reviews pretty positive. So far it's been given a 5 star review from a Top 50 Reviewer on amazon: "The characters are believable and I really like Geraldine... I also liked the way everything dovetailed together so that while you're reading you get those light bulb moments when a piece of the jigsaw slots into place..." Another reviewer says "tense and gripping... with an exhilarating climax that you don’t see coming until it is too late... Geraldine is a gifted, strong and likeable character." Sam Millar wrote of ROAD CLOSED that it is "a gripping, fast-paced read, pulling you in from the very first tense page and keeping you captivated right to the end with its refreshingly compelling and original narrative...Geraldine Steel is a complex and highly driven character, with multifaceted feelings of contradiction and nuance." Jeffery Deaver also mentioned plot and character, now I come to think of it, when he described CUT SHORT as "a seamless blending of psychological sophistication and gritty police procedure. And you're just plain going to love DI Geraldine Steel." In fact most of my reviewers cover both plot and character, so perhaps it is a combination of strong plot and convincing characters that is winning fans for my Geraldine Steel series.

What elements in any book do you think make it popular?
It's an important question for an author - but is it an impossible one to answer?

Link to 91.8 FM - last 20 minutes of where you can listen to an interview plus a reading from ROAD CLOSED
http://rcpt.yousendit.com/890717089/fc6c3ff89057cc6868b0207b7cbd548c

Sunday, 6 June 2010

The Fun of Being Insignificant



ROAD CLOSED came out two weeks ago and has already started to sell. Of course, I’m a very small scale operator in a world where the big players expect to sell tens of thousands of books every week. Still, there are only 5 copies of ROAD CLOSED left on amazon.co.uk where it’s had its first amazon review – 5 stars from a Top 50 Reviewer and Vine Voice who concludes the review: “Give Leigh Russell a try - I'm sure you will not be disappointed.”

It’s no secret that I completed the first draft of CUT SHORT in six weeks, and two weeks after I’d sent out the manuscript I received a phone call from a publisher who offered me a three book deal. After editing, rewriting and research, my first book hit the shelves and sold out so fast that it was reprinted three times in under a year. Following that success, ROAD CLOSED has just been published ahead of schedule as WH Smith’s Travel selected it for a promotion. I just received an email from the books manager of one branch where ROAD CLOSED has sold 115 copies in 2 days (OK, I was there signing, but still…)

I wonder if book sales are so exciting for the big names? I suspect not, because they must expect their books to sell in huge numbers. I’m still excited when one person buys one of my books. This has been a thrilling rollercoaster but my publishing deal turned up so suddenly and unexpectedly that I still can’t believe this wildly exciting experience is really happening to me. I only discovered my passion for writing three years ago when an idea for a story popped into my head and I began to write it down. Since then, I haven’t been able to stop writing. As Eugene Ionesco said, “A writer never has a vacation. For a writer, life consists of either writing or thinking about writing.”

I’ve heard it said that finding a publisher is like climbing a high mountain. Once you reach the summit, you see an even higher mountain ahead – book sales. This week is half term so I’m doing four book signings, giving a talk, appearing on a panel of bestselling crime writers, and completing the first draft of my third book. I enjoy giving talks and going to book signings, getting out and about meeting readers, but all this promotion is another demand on my time.

Sometimes I think I must be slightly insane… but I love writing and everything associated with it, and the pressure of limited time seems to help my creativity almost as much as a deadline from my publisher! Another benefit of being so busy is that I have no time to stress about how my second book will be received, and no time to worry about “writer’s block”. If I have a free hour or two, that’s it – I’m writing!

So my really exciting news is that I’ve just sent the COMPLETED first draft of DEAD END to my agent. Watch out for it in 2011 and, in the meantime, here are the links for CUT SHORT and ROAD CLOSED in case you want to take a look.

Wednesday, 17 March 2010

Second Book Blues

See http://theliteraryproject.blogspot.com/ March 19 interview
The rollercoaster ride I've been on since I started writing three years ago doesn't seem to have slowed down with my second book. If anything, the pressure has increased. One difference is that I can no longer hide behind the excuse of being a novice. My latest reviewer on amazon wrote, very kindly, about CUT SHORT: "For a first book this is excellent. A well deserved five stars." Having lulled me into smug security at yet another great review, he added, "Of course the expectation will be much higher with book two." No pressure there, then!
I won't pretend my ego isn't concerned about how ROAD CLOSED is going to be received. (Like anyone would believe me if I did!) But I am also genuinely concerned that I have somehow gained a small but loyal following. Only today I saw CUT SHORT by LEIGH RUSSELL listed on a blog as one of that lovely blogger's four favourite books. To a new little writer like me, that's huge! CUT SHORT was listed by a Eurocrime reviewers as a Top Read of 2009. I could go on, but I don't want to sound smug when really I'm feeling concerned. Because a lot of readers enjoyed CUT SHORT and, as the reviewer on amazon pointed out, "expectation will be much higher with book two." And all I can think of writing in response to that is, "Oh heck!" I'm going to have to better than that, I hear you think.

Well, I'm confident that ROAD CLOSED (published this June) will be a lot more interesting than "Oh heck," but whether it will be enough of an improvement on CUT SHORT to satisfy my fans, remains to be seen. I hope I don't disappoint anyone. I actually rather like ROAD CLOSED. I certainly enjoyed writing it so I hope other people will enjoy reading it.

I'm very glad I have a third book in the pipeline so once ROAD CLOSED is published, I'll have something else to think about!

Monday, 8 February 2010

Reviews

EURO CRIME
CUT SHORT listed in a reviewer's TOP 5 READS of 2009 http://www.eurocrime.co.uk/reviews/Top_2009_Reads.html

Before CUT SHORT was published, someone made a point to me along these lines: 'While you are writing your book, it belongs to you. Once it is published, the reader can say what they think about it.' In effect, you lose the right of reply. This is as it should be. A book must stand or fail on its own merits.

I'm very happy with how my book has fared so far. My publisher is brilliant at their business, producing crime thrillers, but they lack the clout and influence - aka the marketing budget - of the large publishing houses. CUT SHORT has not had the benefit of front-of-store displays, or placement on the 3for2 tables. It has not been bought a place on the bestseller lists, or been promoted by amazon in any way. It is just out there and I'm grateful that enough people have bought it to necessitate a second reprint in six months. In its own small way CUT SHORT has been a resounding success, tiny though it is in the grand scheme of the publishing world.

I have no idea what contribution reviews have made to this success. Most of the reviews of CUT SHORT have been very positive, but it is always a nerve wracking experience knowing that a review is about to be published and waiting to read it.

Here is an extract from a review this week by Michael Lipkin, Senior Editor for a major publishing house in the US. The review appears in Noir Journal and The New York Journal of Books.

NEW YORK JOURNAL OF BOOKS
http://www.nyjournalofbooks.com/
NOIR JOURNAL
http://noirjournal.typepad.com/
"As the story races to its gripping conclusion, there’s not a moment when the reader won’t be either fearful for another possible victim, hopeful that the killer will make one fatal mistake, or desperately waiting for Steele to discover that one missing clue.
This is an excellent book—the kind one might read for hours on a winter evening before a roaring fire. Russell pulls the reader into an intense involvement with the characters, the town of Woolmarsh, and the search for the killer.
Truly a great start for new mystery author Leigh Russell."

and another 5 star review on amazon.co.uk today -

Excellent, 9 Feb 2010
By
Cormac Mac "Crime king" (London) - See all my reviews

Cut Short is an excellent first novel. It was recommended to me by a friend who loves the Karl Kane series of books by crime writer Sam Millar. I wasn't disappointed. Steel is a name you will be hearing more of in the future. Buy this book. Steal it. Whatever you do, read it.

CUT SHORT is included in 4 for 3 offer on amazon.com
http://www.amazon.com/Cut-Short-Geraldine-Steel-No/dp/1842432710/

UPDATE:
Guess what? amazon.com sold out again just after they restocked. More copies on the way...