How did I get here?

After the usual email discussion between my publisher, publicist, designer, agent, and key booksellers, we have finally agreed on the cover for Murder Ring, the eighth Geraldine Steel title. Here it is.

I can hardly believe this is my eleventh published book since Cut Short came out in 2009. By the end of 2016, the number of my published books will go up to thirteen... and these numbers don't include the different editions, large print books, all the titles published in translation... Adding them all together, there are over fifty different covers so far... I have a copy of each of them, together with proof copies of the U.K. editions. I used to look at my collection sometimes, when I was having an insecure writing day, trying to reassure myself that I really can write.

To be honest, these days I am usually so busy writing, editing, and running around on research trips and book tours, that I don't have time to step back and look at how far I have travelled as a writer. I'm not talking about my physical travels, although that has been quite unbelievable too, when I stop to think about it. My research has taken me all over the world, from Margate in the South of England, to Scarborough in the North, and further afield to Paris, Greece, Rome and the Seychelles. 

What I find difficult to believe is that from scribbling down a story that randomly occurred to me, I have become what used to be called a 'mid list author' - half way between the top bestselling authors and those who only scrape a living from writing. I am now a full-time author, living (quite comfortably) off the proceeds. Not that I am complacent. So far so good is all I can say. Sales seem to be going well, but every day is a different story. Which, I suppose, is appropriate for a fiction writer... but I'm not sure how I ended up in this thrilling precarious career. 

Murder Ring is available for preorder on Amazon. The Ebook is published in November. The paperback is published in 2016.

http://www.amazon.co.uk/Murder-Ring-Geraldine-Steel-Mystery-ebook/dp/B016IEWZIG/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1446110131&sr=1-1

Girl Online

There has been what we might call a little literary scandal over the publication of a new book for teenagers, Girl Online. To many of us - all right, us oldies - it seems fairly missable, dismissed in the Telegraph as a book that "even Winnie the Pooh might regard as a bit twee". But hang on - a young author's fluffy debut novel published by Penguin and reviewed in a national newspaper? 

To preempt any accusation of sour grapes, I should point out that I've had my fair share of media reviews. My latest book was number 1 in The Times crime review last month. So I am not griping about the success of Girl Online out of any sense of personal entitlement, or jealousy. As it happens, I am thrilled by the huge success my own books have enjoyed. I'm certainly not jealous of the public humiliation Zoe Suggs has suffered. 

I'm just slightly bothered about the issues it raises.

Girl Online has attracted attention from the media that many hard working genuine authors can never hope to receive. I use the work 'genuine' advisedly, because of course we all know that Zoe Suggs did not write Girl Online herself. When Penguin decided to put her name on the cover, they also decided not to disclose the fact that the book had been ghost written by a 'real' author. Their duplicity backfired, angering a lot of people. 

What on earth prompted Penguin to behave in such a cavalier and disrespectful fashion towards authors, books and readers? 

The truth is, Penguin probably don't care about the criticism, because Zoe Suggs has 6 million followers on her vlog, where she chats about fashion and girly issues. Enough of these young girls are buying Girl Online for it to be number 1 on the bestseller list on amazon, admittedly only in hardcover. Penguin expect it to be the number 1 bestseller for Christmas, and I daresay it will be. Teenage girls don't care if Zoe Suggs wrote the book or just put her picture on the cover of a book someone else wrote. They are fans, devoted in the way that only teenage girls can be. Penguin know what they are doing, and it's all about sales. They have come a long way from their original raison d'etre in the 1930s, publishing cheap paperbacks to ensure literature would be accessible to everyone, regardless of income. These days they are running a business, struggling to survive in the competitive world of publishing. Regardless of any rights or wrongs, Girl Online is a profitable project.

The cult of celebrity meets the cult of youth. It's a winning formula. It's nothing new. Shakespeare complained in 1601 about unskilled child actors taking work from experienced professionals. For "there is, sir, an eyrie of children, little eyases, that cry out on the top of question and are most tyrannically clapped for ’t. These are now the fashion." Fashion, by definition, is ephemeral. Does anyone today know who those child actors were?

Instead of putting their efforts into promoting a transient fad, for a short term financial gain, Penguin would be better off supporting their many genuinely talented authors. Is Zoe Suggs (who isn't actually Zoe Suggs at all) really the best they can pull out of the bag as their Number 1 book for Christmas? They should be embarrassed. Publishers need to be working hard to introduce readers to talented new authors. If they don't, what is their role other than to make a quick buck?

If publishers simply try to cash in on current fads, they risk hastening their own demise. That is the real issue.

Waterstones Chart

The dye is cast... ROAD CLOSED goes into production tomorrow!
Nearly time to post a sneak preview here...? What do you think?

I was very pleased this week when a fan emailed me a photo she took in Waterstones in Harrow, with my own debut thriller CUT SHORT displayed at number 3 on their bestsellers chart. You can see it here on the third shelf down (click on the image to see it enlarged).

CUT SHORT has been selling so fast that my publisher reprinted twice in six months, and a third reprint is scheduled this year. That makes four print runs in a year - not too shabby for a new author. As if that's not enough excitement for one author, ROAD CLOSED, the second in my series, has gone into production for publication this June. The B format books look fantastic. Here is the new cover for CUT SHORT and the cover for ROAD CLOSED. You may notice the quantity of blood growing. Some of my fans have joked that the cover of the next in the series, DEAD END, will be all blood...


Personally, I'm happy if my name is slightly larger on each cover. That's when you know you've 'arrived' as an author, when your name alone can be relied on to sell books.